Showing posts with label Baybayin. Show all posts
Showing posts with label Baybayin. Show all posts

Friday, April 05, 2019

Ey! LoCaNo Font!

A LoCaNo Font! Finally!

A new release. But it's not a new font. I've had this in my "Work In Progress" (WIP) folder for years. My procrastinating lazy ass finally got it all cleaned up.


This font is based on the original 15 character set from Fr. Francisco López's 1621 Ilocano translation of the 1597 book Belarmino. The typeface is from Fr. Andrés Carro's Vocabulario de la lengua Ilocana, 1849. I started working on this font back in 2006, I tried to standardize and make the character elements uniform. Of course I added other features that is standard throughout my modern baybayin fonts.

The font name "LoCaNo" is derived from López Carro Nordenx.
 
Download this font set from: https://drive.google.com/file/d/1DaZ90YRmr71bNMrQZy6Hm7SxAP0mOo-j/view?usp=sharing



If you prefer to use López's limited 15 set and Carro's classic typeface as originally printed, you can feel free to do so. However, the characters are typed the way other Nordenx fonts are assigned on the keyboard.
  • Carro's ᜁ "E/I" is assigned in the "I" key. The "E" key renders a Nordenx special "E" character.
  • Carro's ᜂ "O/U" is assigned in the "O" key. The "U" key renders a Nordenx special "U" character.
  • The "B" key renders Carro's ᜊ "BA" while the "V" and "W" keys renders Nordenx's special "VA" and classic "WA" characters respectively.
  • The "K" key renders a classic "KA". The "C" key renders a "TSA" (cha) shortcut.
  • Carro's disjointed ᜇ "DA" can be found under the "9" key. The uppercase "D" key renders a Nordenx special "JA" character and the classic "DA" is the lowercase "d".
  • The "J" and "j" keys types the "DIYA" and "DYA" (ja) shortcut.
  • Uppercase "G" renders Carro's disjointed ᜄ "GA". The lowercase "g" types the classic "GA".
  • The classic ᜎ "LA" is assigned on the "L" key and the Unicode "RA". :P
  • Carro's ᜋ "MA" is typed using the lowercase "y" key. The lowercase "m" key types a classic "MA" character.
  • Uppercase "N" types ᜅ "NGA", the lowercase "n" renders a ᜈ "NA" as usual.
  • Carro's odd ᜉ "FA/PA" is assigned to the uppercase "F" key, the lowercase "f" key displays a Nordenx special "FA" character.
  • Carro's closed-tailed or looped ᜌ "YA" can be typed using the "P" or "p" keys.
  • Carro's V3 shaped ᜐ "SA" can be typed using the "Z" keys. 
  • The "X" and "x" keys types the "KSA" (xa) shortcut.
  • Nordenx special characters for "RA" is assigned in the "R" keys.  
  • The "h" key types a Nordenx special ᜑ "HA" character.
  • Use the + key for Lopez's + virama, the # key for Carro's ☩ virama, and the = key for Nordenx's x virama. 
I feel like I need to go into further detail and explain more about the decisions I made about this set... maybe later. :P

[EULA]
© All rights reserved, Nordenx Baybayin Modern Fonts are copyright of their typeface designer & creator Norman de los Santos. Free for personal and non-commercial use only. Please contact me at nordenx@gmail.com for any inquiries about commercial use and licensing for branding, printing, publications, and/or other electronic applications.

If you have any questions about this odd font set, feel free to email me or message me via facebook. ^_^





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Thursday, April 16, 2015

Taking it to Taiwan

A CALL TO ICAL

The International Conference for Austronesian Linguistics (ICAL) is held every 4 years in different places all over the world. It is hosted by the Institute of Linguistics, Academia Sinica. ICAL provides forums for collaborative research and also publishes & archives research papers.

When Siuálâ ding Meángûbié (Voice of the Dead) suggested that we submit a paper and present at this year's ICAL in Taiwan, I was hesitant. I know that Mike Pangilinan (Siuala) has financial limitations and so do I. But this is another opportunity, like the one we had in Tokyo last year; to continue to showcase our work and be heard & reviewed by the  academic community in an international stage. So, after some rumination, I decided that we shouldn't pass this up. We have to find a way to attend ICAL.

So, for the advancement and preservation of Philippine writing systems and our cultural heritage. We decided to do a fundraising campaign to finance our trip to ICAL. Please visit our crowd-source fundraiser at: http://www.gofundme.com/nordenx2ical for more information.

PERKS

For our donors, I am currently pulling out and working on a few of my unfinished, unnamed, work-in-progress typefaces/fonts (Baybayin, Kulitan, Mangyan, etc.). And at the end of this fund raising campaign, we will select several of our top donor's names and I will name these new typefaces/fonts in their honor. This is the highest act of gratitude that I can offer. Your name, preserved in perpetuity, typed by native script writers (poets, artists, designers, authors, scholars), as long as we strive to keep our heritage alive.

Do you want the next new font named after you?

Mike and I are also sending digital copies of our donor's names in calligraphic kulitan and/or baybayin as thank you notes.

Folks can donate through PayPal and we will add the amount to the gofundme total. You can use the DONATE BUTTON on the side-bar menu on this page. If you use the main PayPal site, my account is under my nordenx@yahoo.com email.

For other offline modes of sending money, please contact me through email or via my facebook account and I will send you our mailing address and other necessary information. Mike can receive Peso donations from within the Philippines through local Western Union or MoneyGram type services. I can also accept checks & money order through the mail. Offline donations will also be added to our gofundme tally.

We do these as part of our long-term goals to help protect and preserve our cultural heritage. I do hope that you would grace us with your generosity.

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Thursday, December 11, 2014

Worth Repeating

Repeating Homophonic Syllables:
"A Baybayin Tradition worth Repeating."

A sample of an occurrence of vowel sign doubling in old Tagalog script. (Excerpted from a 1635 land deed, University of Santo Tomas Archives, reproduced by Villamor in 1922), provided by Christopher Ray Miller, Ph.D., 2014:
From a 1635 land deed. UST Archives.
Earlier this year, we covered this in our papers and presentations at the International Workshop on Endangered Scripts of Island Southeast Asia held in the Tokyo University of Foreign Studies, Japan.

“Vowel sign doubling: Tagalog script historically shares with Buginese a spelling convention that can be called “vowel sign doubling”. This consists in marking a consonant letter with two vowel signs, either the same or two different ones, to represent two succeeding syllables beginning with the same consonant.”
~ Miller (2011-2014)
In his book on Baybayin, Jean-Paul Potet Ph.D., noted that this same convention occurs in a Bugis script inscription on an old tombstone in Brunei. The inscription shows two i-vowel diacritic marks on top of a "NA" letter/character to be read as néné, meaning "grandfather". (Potet, 2014; Noorduyn, 1993)

Reintroducing Traditions:
Since I introduced the ᜍ "RA" glyph into my fonts a few years ago, it slowly gained acceptance and has become a de facto standard for the "RA" character. Similarly, I there has been an increase of online usage and enthusiasm for Antoon Postma's "pamudpod", from Surat Mangyan, a crescent-shaped virama (for indicating a trailing vowel-less consonant) since I also include the glyph in all my fonts. So, I think that it is about time that we bring back the dual-kudlit for syllable doubling convention. I am confident that the practice will gain acceptance once again, given some time, exposure, and proper education.

There is one hitch though, we need a couple more new markers. Since the /a/ vowel sound inherent to each base baybayin character is obviously not marked, how do we repeat an /a/ ending syllable without doubling a base letter?  ...or repeated compound syllables too for that matter? We have to look into other related South East Asian abugida scripts for answers. Luckily, we didn't have to look too far. I found that the Buginese (Lontara/Bugis) ᨞ “pallawa” mark is used to separate rhythmic-intonational groups and also used to denote the doubling of a word or its root. We can borrow the same concept and style/position as the the pallawa mark.

We can actually use the pallawa mark to denote word or root doubling. It would greatly reduce reduplication of words like "halo-halo", "bola-bola", "turo-turo", "Bong-bong", "bato-bato", "sunod-sunod", etc.

Borrowing from the pallawa concept, I introduced the : colon as a “padalaw-a” mark in my Tokyo paper. The padalaw-a mark also doubles the vowel characters in the same manner prescribed in the book "Ang Wika at ang Baybaying Tagalog" by Tolentino (1937) except that the marker is on the right side instead of being on top or bottom of the ᜁ I and ᜂ U characters. The padalaw-a mark makes it possible to repeat an /a/ ending syllable without doubling a base letter.

Another extended possibility for this type of Kudlit mark is what I call a “pahantig” mark which is a single solid dot • mark on the right side of the a consonantal syllable character; it duplicates the consonant sound at the end of the marked syllable.

Before we could disseminate this, I would have to update all my fonts to include the pallawa mark. Currently only a couple of my commercial license fonts has the updated markers. The pallawa is assigned to the \ backslash key. In the mean time, we can educate baybayin practitioners about this forgotten tradition and updated solution.

Here's a recent chart to explain the dual/doubling/repeating marker system:
Baybayin dual / doubling / repeating marker system chart.

For a larger view of the chart above: CLICK HERE

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Tuesday, November 11, 2014

Baliktárin Palindrome and Baligtádin Ambigram.

A new exercise in tradition. Try your hand and mind at it; see what you can create.

Baligtádin ( ᜊᜎᜒᜄ᜴ᜆᜇᜒᜈ᜴ ; lit. reversible ) is a Baybáyin equivalent of an ambigram. 

Basically, an ambigram is a typographic, calligraphic, or symbolic art form representation of a word or phrase, whose elements retain meaning when viewed or interpreted from a different direction, perspective, or orientation.

The meaning of the ambigram may either change, or remain the same, when viewed or interpreted from different perspectives.

Baligtadin ( ᜊᜎᜒᜄ᜴ᜆᜇᜒᜈ᜴ ; lit. reversible ). is a Baybayin equivalent of an ambigram.

Faux-Latin Alphabet "Love", ᜃᜊᜌᜈ᜔ "Kabayan" (townsfolk/countrymen) a Multi-Lingual ambigram.



Baliktárin ( ᜊᜎᜒᜃ᜴ᜆᜍᜒᜈ᜴ ; lit. returnable back and forth ) is a Baybáyin equivalent of a palindrome, or in other words: a palindromic Tagalog sentence written in Baybayin Script; it reads the same from the beginning to the end or from the end to the beginning.

The unit of Baliktarin is mora (per syllable measure) since the Baybayin Script is an Abugida (alphasyllabary or phonetic-syllabary). This syllabic constrained writing differs from a Palindromya (Tagalog Palindrome), which is written using the Latin Alphabet and uses phoneme (per letter measure) as unit.

Baliktarin is very much like the Kaibun (回文; lit. circle sentence), the Japanese equivalent of palindromes which uses their syllabaries, Hiragana and Katakana.

Preferably, traditional Baybayin orthography is used in Baliktarin; where a virama (vowel cancellation mark) is not advised and trailing/leading vowel-less consonants are not written.

Examples:
  • ᜃᜒ ᜎ ᜎ ᜃᜓ ᜎ ᜎ ᜃᜒ
    | ki-la-la-ko(ng)-la-la-ki |
    Kilala kong lalaki.
    "A man I know."
  • ᜁ ᜊ ᜊ ᜋᜓ ᜊ ᜊ ᜁ
    | i-ba-ba-mo-ba-ba-i |
    Ibaba mo, babae.
    "Put it down, woman."
  • ᜊ ᜅ ᜃᜓ ᜅ ᜊ
    | ba-nga-ko-nga-ba |
    Banga ko nga ba?
    "Is it really my jar?"
  • ᜆ ᜋ ᜐ ᜋ ᜆ
    | ta-ma-sa-ma-ta |
    Tama sa mata.
    "Hit right in the eye."
  • ᜁ ᜃᜓ ᜎᜓ ᜋᜓ ᜎᜓ ᜃᜓ ᜁ
    | i-ku-lo(ng)-mo-lo-ko-i |
    Ikulong mo. Loko e!
    "Put him in jail. He's really crazy!"
  • ᜁ ᜎ ᜋ ᜎᜒ ᜊᜒ ᜎ ᜎ ᜊᜒ ᜎᜒ ᜋ ᜎ ᜁ
    | i-la(ng)-ma-li(ng)-bi-la(ng)-la-bi(ng)-li-ma-la(ng)-i |
    Ilang maling bilang? Labinglima lang e!
    "How many did we miscount? We only have fifteen!"

Baliktarin ( ᜊᜎᜒᜄ᜴ᜆᜍᜒᜈ᜴ ; lit. returnable back and forth ) is a Baybáyin equivalent of a palindrome.
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NOTE: An easy way to remember Tagalog term for which is which (ambigram or palindrome):
  • Baliktárin (baybayin palindrome) - key word "BALIK" meaning "RETURN".
  • Baligtádin (baybayin ambigram) - key word "BALIGTAD" meaning "REVERSED" and "UPSIDE DOWN".
Baliktarin palindrome, once you read it forwards, RETURN and read it on the way back.

Baligtadin ambigram), you can turn it around over and over and still read it while REVERSED and UPSIDE DOWN.

From a facebook friend (J. Abelo):
“So, BALIKTARIN: Left to Right "pa balik-balik" (vice versa),
and BALIGTADIN: Readable in All Directions (pa bali-baligtad).
”

Have fun!

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Monday, August 11, 2014

Legends & Legacies of Modern Baybayin Fonts and Typography

RIP Hector Santos
We are losing our pioneers. Last year, Bayani Mendoza de Leon passed away (Nov. 24, 1942 - Sept. 13, 2013). Recently, Hector Santos passed away (Sept. 15, 1941 - July 30, 2014). I received the news from another baybayin font pioneer, Paul Morrow.

When I started researching about Philippine culture & history back in the mid 90's, there wasn't much about baybayin & surat Mangyan online until Hector Santos' & Paul Morrow's sites came along.
They were one of the first to publish reliable information about baybayin online. Hector Santos was the first to offer commercial digitized baybayin fonts online. Paul Morrow followed suit and was the first to offer free fonts from historic typefaces and the first modern stylized and uniformed typeface. Bayani Mendoza de Leon's manual introduced me to current modernization attempts. Their collective work inspired me to be more pro-active with my research. Five years later, after catching up with all the foreign language materials borrowed from library archives from all over, I began sharing what I've learned and fonts/typefaces I created to the world. Without Paul & Hector's work, surely my baybayin knowledge & fonts would've been poorer.

I regret not being able to meet the Hector Santos and Bayani Mendoza de Leon in person to thank them. Their legacy will live on through every baybayin font that will ever come along.

Hector Santos' website: http://www.bibingka.com/dahon/


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Sunday, April 06, 2014

Saving Baybayin through Technology, Typography, and Standardization.

I was in attendance at the International Workshop on Endangered Scripts of Island Southeast Asia last month (Feb. 27 - Mar. 1) in Tokyo, Japan. Hosted by Linguistic Dynamics Science Project (LingDy), a strategic project of the Research Institute for Languages and Cultures of Asia and Africa (ILCAA), at the Tokyo University of Foreign Studies (TUFS).

The workshop discussed the writing systems and traditions of Southeast Asia, focused on (but was not limited to) the endangered Indic scripts of the Philippines, Sumatra and Sulawesi. We presented our papers which covered topics regarding historical and structural relationships, literature, documentation, revival, modern functions, adaptations and social/cultural meaning.

In addition to the academic component of the workshop, the organizers encouraged participation by culture-bearers, activists, and artists - this is how we got included.

Philippine script representatives:

- Kristian Kabuay (Baybayin.com)
- Anya Postma (Mangyan Heritage Center)
- Kanakan Balintagos (Solito Arts Productions)
- Norman de los Santos (BHM Publishing House, Inc.)
- Emerennciana Lorenzo Catapang (Mangyan Heritage Center)
- Christopher Miller (Independent Researcher, Montreal, Canada)
- Bruno Tiotuico (Alexandre Dayrit Tiotuico) (Ágúman Súlat Kapampángan)
- Michael Raymon M. Pangilinan (ILCAA, Tokyo University of Foreign Studies)

From left to right: Mr. Christian Cabuay (a.k.a. Kristian Kabuay, Baybayin Artist, Calligrapher, Entrepreneur), Mrs. Emily Lorenzo Catapang (Executive Director of the Mangyan Heritage Center), ME: Norman de los Santos (a.k.a. Nordenx, Baybayin Typographer, Graphic Designer), and the young Mr. Bruno Tiotuico (Sulat Kapampangan activist, Photographer).



From left to right: Ms. Anya Postma (Sulat Mangyan advocate and Daughter of anthropologist and linguist Antoon Vreeze Postma), Mr. Christopher Ray Miller (Linguist, scholar, and expert on Philippine and SouthEast Asian scripts), Mr. Auraeus Solito( a.k.a. Kanakan Balintagos, internationally acclaimed and award-winning filmmaker and indigenous peoples rights advocate) and Mr. Michael Raymon Pangilinan (a.k.a. Siuálâ ding Meángûbié, Kapampangan Culture activist, scholar, and author of "Kulitan")

The abstracts and proceedings of everyone who presented can be accessed here: http://lingdy.aacore.jp/en/activity/endangered-scripts-issea/docs.html

My well-received handout on Baybayin Typography and Standardization.

My paper and abstract are available at the LyngDy page linked above.

My handout is available here:
Note: You can download and print a copy of the handout image above for your own personal use. However, please don't publish or distribute this image commercially without prior consent or licensing from the author.

The workshop answered a lot of questions regarding the history & relationships of SEA scripts and Philippine scripts. It opened up a lot of ideas and it offered up a lot of insight and exchange between academic and non-academic culture bearers. Expect that my experience and what we've learned in Tokyo will work its way into my font development.


Essential Links:

https://www.facebook.com/groups/surat2014/

http://blog.baybayin.com/2014/01/30/event-japan-tokyo-university-of-foreign-studies/

http://lingdy.aacore.jp/en/activity/endangered-scripts-issea.html

http://www.mangyan.org/

http://siuala.com/


http://www.angkulet.com/2012/10/25/auraeus-solitos-baybayin-first-trailer/#sthash.i70lMHOr.dpbs



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Friday, October 04, 2013

Baybayin Keyboard Layout for Windows 7, 8+, 10

Not too late for Windows 8

Windows 8 makes it easier to switch between multi-language keyboards and custom layouts.

(UNICODE) Baybayin Keyboard Layout for Windows 8

  1. Download the .zip file from here:
    https://docs.google.com/file/d/0ByEkLQ7YrpPsaF92NlhpTkZDNDQ/view
    Save the file, then open and unzip the files.
  2. Go to the folder where you unzipped the files.
  3. Click Setup.exe and follow the instructions.
    It’ll tell you your keyboard was installed successfully, but you won’t be able to use it until you restart.
  4. Restart the machine.
    Once the machine is restarted, you should be good to go.
  5. On Windows 8 and 10, use WinKey + Space (press and hold the WinKey then hit the Space key) to switch between two or more keyboard layouts.
  6. To be able to view Baybayin characters on the Windows 7, 8, and 10 On-Screen Keyboard & Touch Keyboards, the default font "Segoe UI" needed a custom update. I included the font in the .zip file.

    How to install the Segoe UI font (segoeui.ttf) over the existing one in your machine:

    • Create a backup of your original segoeui.ttf file by copying/moving it to another folder other than the system's "windows/font" folder.
    • Left click or right click to open the segoeui.ttf file that is included in this .zip file and look for the "install font" button/link.
    • Choose "Yes" if prompted to replace or overwrite the old Segoe UI font (if you left a copy in the windows/font folder).

Notes:
When using Unicode Baybayin Fonts online, only the people who has a Unicode Baybayin compliant font in their machines can view what you typed/posted. And Firefox has been the only browser that displays Baybayin Unicode consistently, other browsers are buggy.

Caveat Lector: I have not fully tested this in mobile tablet PCs and Windows 7. Also, again, please make sure you backed up your machine's original segoeui.ttf file, it is a system font.

UPDATE: [Oct. 18, 2013] If you have upgraded your Windows 8 to 8.1 like I have, you have to re-install the Segoe UI font again and reboot. You now also have to chose Segoe UI as Firefox's default font (options/content/fonts & colors). In the near future, I may have to provide updated versions of Times New Roman & Arial fonts for people who like to use those default typefaces.

UPDATE: [Aug. 6, 2014] Testers report that the keyboard layout works on Windows 7.

UPDATE: [July 29, 2015] The keyboard layout works on Windows 10. Note: After updating/upgrading to Windows 10 from Windows 8+, you may need to re-install (re-overwrite) the Segoe UI font (segoeui.ttf) and reboot.

Enjoy!

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 For Linux and older versions of Windows, visit:
 Try the Keyboard Layout for Mac OSX:

Baybayin Unicode Keyboard Layout for Mac


Saturday, May 18, 2013

Connect the Dots...

Another New Font:


Download this font set from: http://nordenx.deviantart.com/art/Baybayin-Tulsok-Font-372428448

Another small/pixel font with no Unicode characters. You can still use this online in graphics, embedded trough a style-sheet (css), or via applications created in flash, etc.

Friday, May 10, 2013

Fancy Angles

Newly released fonts:



I didn't populate the Unicode range on these latest sets for two reasons:
  1. I don't have a dev PC anymore; I'm working through an old MacBook that doesn't have the expensive and more powerful professional/commercial font development software. I'm using freebie apps.
  2. These fancy fonts are not suited for online chat or post anyway (hard to read and too small). They are more suited for graphic work. Leaving the unicode range empty also avoids conflicts with other baybayin font files.

Friday, July 20, 2012

Modern Baybáyin Chart

Conservative Modern Reform:
(For review; as submitted, archived, and published in international linguistic academia.)
Modern Baybayin Chart
The image/chart above is my current draft for a standardized modern baybayin script.

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The chart below lists the keystrokes for typing baybayin using fonts.

Modern Baybayin Chart

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Any other character sets you'll find on your online searches that claims to be traditional or modern baybayin are most likely made-up or misleading. If I haven't linked or talked about them here in my blog, or you can't verify them via respectable baybayin sites like Paul Morrow's or Kristian Kabuay's, then more likely those sets are not accepted by the community of baybayin practitioners & experts.

Any other sets of characters that include special individual characters for C, Q, Ch, Th, Z, J, and or Ñ instead of character combinations are suspect and most likely are made-up (conscript). And unfortunately, we have found out that the use of the word "Alibata" as a name or description of the scripts (without including the correction & acknowledging that the real name of the writing system is actually "baybayin") is more likely to be an indicator that the information or the character set is flawed.

My work on the indigenous Philippine writing system is well researched (for more than two decades). It is academically backed & published, traditionally mindful, typographically sound, and community & expert approved.

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Sometimes, forgotten traditions are re-discovered.

Repeating Syllables in Baybayin

We make sure that these forgotten traditions are documented and revived as well as corrected. For example: the double top-down kudlit is being mistakenly used as a vowel cancellation method; there is a precedent that this is used differently by our ancestors. Instead of a vowel-killer, the double top-down kudlits are actually bi-vowel consonantal syllable repeaters: ᜊᜒᜓ = "bobi" ≠ "b"

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Traditional Baybayin

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Wednesday, May 02, 2012

Baybayin Acronyms & Initials

An "Acronym" is the term widely used to describe any abbreviation formed from initial letters and in some cases initial syllables. Most dictionaries define acronym to mean "a word" in its original sense, while other dictionaries attributes other senses that make an acronym to have the same meaning as that of initialism.

According to the first definition found in most dictionaries, examples of acronyms are NATO (/ˈneɪtoʊ/), scuba (/ˈskuːbə/), and radar (/ˈreɪdɑr/), while examples of initialisms are FBI (/ˌɛfˌbiːˈaɪ/) and HTML (/ˌeɪtʃˌtiːˌɛmˈɛl/). - source wiki

Initialisms are pronounced letter by letter using the alphabet character's names. Acronyms are read and treated as words.

Since Baybayin is an Abugida and each of its characters are phonetic syllables, Filipino acronyms and initialisms should be written in Baybayin script as they are pronounced by native Filipinos in their native tongue.

Since "acronyms are read and treated as words" and a lot of acronyms are "names" of organizations and technical terminology, we then go back to the "rules of thumb" which are:
  • If the word is an important scientific or technical term and you do not have a direct and official translation to any Philippine language or Spanish - don't Pilipinize the spelling and don't write it in Baybayin Script, use the Latin Alphabet instead.
  • If the word is a name of person (or organization) - don't Pilipinize the spelling and don't write it in Baybayin Script, use the Latin Alphabet instead - unless if that person (or group) made known to you or the public how they write his/her name in Baybayin (or they personally requested you to do so); how one prefers their name spelled & pronounced is a personal issue.
ISSUES...
One may argue that the acronym for "Unibersidad ng Pilipinas", UP (/ʊpɪ/) should have been written as ᜂᜉᜒ (characters U and PA with an i-kudlit) which is read as "upi" and not as ᜂᜉ (just U and PA) which is read as "upa", a word that means "rent", as shown in their graduation sash.

However, UP already officially established for several years now that they like to write their acronym/initialism not as ᜂᜉᜒ "upi" nor ᜌᜓᜉᜒ "yupi" but as ᜂᜉ "upa" - we owe it to them to stand by their "choice" and we should respect their decision.

Source: http://www.ovcrd.upd.edu.ph/blog/2010/03/09/up-sablay/

"The indigenous letters ᜂ (U) and ᜉ (PA), originating from the indigenous alphabet called baybayin or katitikan, are equivalent to the Roman letters “U” and “P”, respectively."
Note: They used the term - indigenous "alphabet" to describe Baybayin letters, and wanted to use them as "equivalent to Roman letters". A clue?

Baybayin is NOT an Alphabet.
It is not possible that they were unaware that Baybayin was already described in detail in numerous publications from earlier on as a "syllabary" and later an "abugida" or "alpha-syllabary". Each Baybayin letter or character represents a phonetic syllable, NOT an alphabetic phoneme. Baybayin covers the phonetic syllable range of the native language but not every phoneme of the Latin Alphabet; unless you count my proposed modifications,  letters J, Ñ, R, C, Q, E, O, F, Z, and X have no "equivalent" letters in traditional baybayin.  But as a center and authority for higher learning, this possible failure to recognize the well established details about Baybayin does not sit well with many researchers and practitioners in the Baybayin support community.

A fix?
There is nothing we can do with the UPa issue at the moment, only they can resolve that.

Meanwhile, a couple of Baybayin enthusiasts have suggested to either use a virama or make up a new mark that has the function of changing a baybayin character to its equivalent alphabet letter name.

As far as using a virama; we must bear in mind that if you cancel the inherent /a/ vowel of a Baybayin (Abugida) character, you end up with a consonant 'sound' particle not a consonant letter name. A ᜋ᜔ ('MA' with a virama) or ᜋ᜴ ('MA' with a pamudpud) is not an 'M' pronounced as /ɛm/, it is a /m/ sound. Such is the assigned function of a virama mark.

So with that in mind, why not make up a new mark and instead of calling it a virama, call it something like maybe a "tari" mark, right? The new mark they introduced looks like a mix of an x-virama & a pamudpod. This new mark is assigned the function of changing a Baybayin character to its equivalent Alphabet letter name. It seems like a good idea, but it is a long way from being linguistically or officially recognized or standardized & approved.

Alternatively, I am inclined to reintroduce an old suggestion to frame proper names, acronyms, and initials in bracket marks like the
「 」 Japanese Quotation Marks. Ex. 「ᜂ᜵ᜉ」 (U.P.)

However, none of these "fixes" can render initials with the Latin Alphabets (C, Q, E, O, F, Z, and X) as they don't have direct Baybayin equivalents.


For now, it's best we just follow the "rules of thumb" (mentioned above).


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Friday, April 27, 2012

Using Baybayin Fonts

Read & Write Baybayin First:

Baybáyin is NOT an Alphabet.
Baybáyin is NOT Alibata.
Baybáyin is an Abugida.

To avoid embarrassing typographical errors, it is really important to learn how to actually read & write Baybayin Script and know the rules of both Abugida & Filipino orthography (spelling and pronunciation) first.

Visit these pages:

How to write using Baybayin Script: English Instructions <-click & visit
How to write using Baybayin Script: Filipino Instructions <-click & visit
These are thorough tutorials by Paul Morrow on how to write using Baybayin script in the original Filipino and modified Spanish methods. These tutorials are the most reliable and concise instructions online.

How do I write my name in baybayin? <-click & visit
This is the most frequently asked question regarding the script. This page offers strategies for writing difficult non-Filipino words and names in the baybayin script.

"A mistake people often make is to assume that the baybayin is just a neat looking alphabet; all you have to do is learn how draw the letters and then spell out the words in the language of your choice, and substitute each modern letter with a baybayin letter. However, baybayin doesn't work like that. This is the difference between an alphabet and a syllabic writing system." ~ Paul Morrow 

SOURCE: Sarisari etc. - http://www.mts.net/~pmorrow/


Typing with Baybayin Fonts:

"Easy Keyboard Access" this is one of the main benefit of Baybayin FONTS; for convenient usage and typing in word processing & graphic editing softwares.

Most Common Mistake - Vowel Characters & Kudlit marks treated as an Alphabet:
Multiple instances of vowel characters and little to no kudlit marks are the usual tell-tale giveaway.













Source: http://felipeaira.i.ph/blogs/felipeaira/2008/10/11/matanglawin/


"Easy Keyboard Access" does NOT mean "go ahead and type anything and it will be correct".

When using either Paul Morrow Fonts or Nordenx Fonts, the capital letter keys (shift+) A, E, I, O, and U will type Vowel Characters (ᜀ, ᜁ, ᜂ). Each of these characters represent a stand-alone vowel SYLLABLE not just an alphabet or letter with a vowel sound.

Each Baybayin Consonant Characters are also singular SYLLABLES that already has a default /a/ vowel sound. A kudlit mark is added to the character to change the /a/ vowel sound to the other vowel sounds /e/, /i/, /o/, or /u/. This is done by typing the lower-case vowel letter keys (e, i, o, or u) after the consonant character. The kudlit mark (dot, slash, caret, or chevron, etc.) should appear above or below the character after you typed the lower-case vowel.

A virama mark (x-kudlit or pamudpud) is added to the character to cancel the inherent or default /a/ vowel sound to create a vowel-less consonant character (dead-consonant). The x-kudlit (a modern replacement for the krus-kudlit introduced in the Doctrina Christiana) is recommended for leading or stand-alone dead-consonants, the pamudpud (a virama used by the Mangyan tribes of Mindoro) for trailing dead-consonants.

The Keys to Baybayin Fonts:

When you know the rules and know how to read & write in Baybayin script, install one or a few Baybayin fonts in your computer then familiarize yourself where and in which keyboard key is each character or glyph assigned to (you can use this tool - click here). Typing Baybayin in wordprocessing or graphic editing softwares should be straightforward by then.

The Key to Baybayin Online:

Using Baybayin characters online like typing your status on facebook or in a chat client is a different story. Online, Baybayin fonts requires using the Unicode range which is normally not easily accessed by your regular keyboard. The Unicode range can only be accessed using a specialized program like an online tool/application of by changing your keyboard's settings.

Learn: "How to type Baybayin using Unicode." <- click here & visit




ᜀ Type uppercase 'A' = syllable character "A" (traditional) 
- Type lowercase 'a' = none * 
ᜁ Type uppercase 'I' = syllable character "I" (traditional) 
'  Type lowercase 'i' = kudlit mark "i" (traditional) 
ᜂ Type uppercase 'U' = syllable character "U" (traditional) 
,  Type lowercase 'u' = kudlit mark "u" (traditional) 

+ Type '=' or '+' for a krus or x kidlit virama (reformed)

ᜅ Type uppercase 'N' = syllable character "NGA" (traditional)
ᜈ Type lowercase 'n' = syllable character "NA" (traditional) 

ᜊ Type 'b' or 'B' = syllable character "BA" or "VA" (traditional)
ᜃ Type 'c', 'k', 'K' = syllable character "KA" or "CA" (traditional)
ᜇ Type 'd' or 'D' = syllable character "DA" or "RA" (traditional)
ᜄ Type 'g' or 'G' = syllable character "GA" (traditional)
ᜑ Type 'h' or 'H' = syllable character "HA" (traditional)
ᜎ Type 'l' or 'L' = syllable character "LA" or "RA" (traditional)
ᜋ Type 'm' or 'M' = syllable character "MA" (traditional)
ᜉ Type 'f' or 'F' = syllable character "PA" or "FA" (traditional)
ᜐ Type 's' or 'S' = syllable character "SA" (traditional)
ᜆ Type 't' or 'T' = syllable character "TA" (traditional)
ᜏ Type 'w' or 'W' = syllable character "WA" (traditional)
ᜌ Type 'y' or 'Y' = syllable character "YA" (traditional)

ᜍ Type 'r' or 'R' = syllable character "RA" (modern alternative)
ᜉ Type 'p' or 'P' = syllable character "PA" or "YA" (archaic)
ᜊ Type 'v' or 'V' = syllable character "VA" (alternative)
ᜐ Type 'z' or 'Z' = syllable character "ZA" (alternative)

ᜁ Type uppercase 'E' = syllable character "E" (alternative)
'  Type lowercase 'e' = kudlit mark "e" (modern alternative)
ᜂ Type uppercase 'O' = syllable character "O" (alternative)
, Type lowercase 'o' = kudlit mark "o" (modern alternative)

ᜐ Type 'C' = character combo "TSA" for 'cha' (reformed)*
ᜃ Type 'q' = character combo "KUWA" for 'qua' (traditional)
ᜃ Type 'Q' = character combo "KWA" for 'qua' (reformed)
ᜇ Type 'j' = character combo "DIYA" for 'ja' (traditional)
ᜇ Type 'J' = character combo "DYA" for 'ja' (reformed)
ᜃ Type 'x' or 'X' = character combo "KSA" for 'xa' (reformed)
ᜈ Type '~' = character combo "NYA" for 'ña' (reformed)

 * may differ or not be available (yet) in some fonts.

Mind What You Type:








Common Mistake - mixing methods: 
There are several modes of writing Baybayin, don't mix them together in one composition. Don't confuse your readers.

Common Mistake - not translating to a Filipino language or forcing foreign pronunciation & spelling:
Ideally, Babayin should be used primarily for Philippine languages. However, Baybayin has been known to be used by natives to write some Spanish and English (in "Pilipinized" spelling) words.  

Rules of thumb:
  • Use borrowed words sparingly and only if there are no available equivalent words for them in any Philippine language or even Spanish. If you have to use the word as it is, you should follow the official rules on how to Pilipinize the spelling & pronunciation of foreign or borrowed words and how to break-it-down into syllables as laid out by the  Philippine National Language Commission in the Balarila (Rules of Orthography).
  • If the word is an important scientific or technical term and you do not have a direct and official translation to any Philippine language or Spanish - don't Pilipinize the spelling and don't write it in Baybayin Script, use the Latin Alphabet instead.
  • If the word is a name of person (or organization) - don't Pilipinize the spelling and don't write it in Baybayin Script, use the Latin Alphabet instead - unless that person (or group) made known to you or the public how they write his/her name in Baybayin (or they personally requested you to do so); how one prefers their name spelled & pronounced is a personal issue.
Common Mistake - tackling acronyms & initials:

-> CLICK HERE <- for more info about using Baybayin Script in Acronyms & Initialism.

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Saturday, September 10, 2011

Unicode Converter Update

UPDATE:  

Outdated tech, Adobe Flash no longer functions.  

 
Now it is even easier to type in Baybayin Unicode and copy/paste it to Facebook!
Non-baybayin-reading folks can now translate what others wrote in Baybayin Unicode!

Use the Baybayin Unicode Converter today! :)

ᜇᜓᜋᜍᜋᜒ ᜈ ᜀᜅ᜴ ᜄᜓᜋᜄᜋᜒᜆ᜴ ᜅ᜔ ᜊᜌ᜴ᜊᜌᜒᜈ᜴ ᜐ ᜉᜒᜌ᜔ᜐ᜴ᜊᜓᜃ᜴᜶ ᜇᜑᜒᜎ᜴ ᜇᜒᜆᜓ᜵ ᜇᜓᜋᜍᜋᜒ ᜈ ᜍᜒᜈ᜴ ᜀᜅ᜴ ᜎᜓᜋᜎᜉᜒᜆ᜴ ᜐ ᜀᜃᜒᜈ᜴ ᜈ ᜀᜅ᜴ ᜑᜒᜎᜒᜅ᜴ ᜀᜌ᜴ ᜀᜌᜓᜐᜒᜈ᜴ ᜃᜓ ᜇᜏ᜴ ᜁᜆᜓᜅ᜴ ᜀᜉ᜴ᜎᜒᜃᜐ᜴ᜌᜓᜈ᜴ ᜈ ᜁᜆᜓ ᜉᜍ ᜁᜆᜓᜌ᜔ ᜋᜀᜀᜍᜒᜅ᜴ ᜋᜃᜊᜐ ᜇᜒᜈ᜴ ᜅ᜔ ᜂᜈᜒᜃᜓᜇ᜴᜶

The Baybayin Unicode Converter (Typepad) has been updated:

  • If you see boxes above instead of Baybayin characters - Download the updated Baybayin Modern Font (BMF) Unicode Mono - Updated: Sept. 10, 2011
    If you have downloaded this font before this update, please re-download & update your .ttf file.
  • The font's glyphs have been updated for better legibility, strokes adjusted and the x virama made larger.
  • It can now convert Baybayin Unicode into text. To convert Baybayin Unicode to text, select the "READ Baybayin Unicode" tool option on the drop-down menu, copy then paste the characters you wish to convert onto the text area, then click the "conv" (convert) button.
  • There are two new typing modes; the x Mode automatically types a virama below each character making them stand alone consonants, while the a Mode types syllable characters with the default 'a' vowel sound. Depending on which mode you use, typing vowels or kudlit marks after each character alters the default 'a' or cancels an auto-typed virama.
  • There is a ·· check-box that allows double kudlit marks which repeats a same-vowel syllable. It is automatically unchecked after each double kudlit is typed.
  •  A new "copy" (to clipboard) button is added to the "TYPE Baybayin Unicode" tool option to make it quick & easy to do so, it automatically highlights and copies everything you typed.
  • The Surat Mangyan pamudpod mark Unicode range is made accessible so you can use it if you chose to follow the following proposed modern virama rules:
  1. x = virama [Spanish cross kudlit (+)]: rendered by the = equal and + plus keys, it cancels vowels, preferably for leading or stand-alone consonant sounds;
    ex. ᜊ᜔ᜍᜓ bro | ᜅ᜔ ng
  2. / = pamudpod (Mangyan's virama): rendered by the / forward-slash key, it cancels vowels, preferably for trailing or dead-consonat sounds;
    ex. ᜊᜍ᜴ bar | ᜈᜅ᜴ nang
Enjoy! :)
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